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Assn. 14.2, Chromatic & Pivot Chord Modulation
by Scott Watson
85 views
Assn. 9.4, #1-2 (Successive 1st Inversions)
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Assn. 9.3, #1-3 (Pair of Chords, Includes 1st Inv.)
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Chords In Inversion: Overview
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Seventh Chords: Overview
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Assn. 6.11, #1 (Harmonizing Melodies w/I, IV, V)
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Assn. 6.9, #1-2 (IV - V - I Progression/Cadence)
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Assn. 6.7b, #1-2 (Writing Plagal Cadences, Given Soprano)
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Assn. 6.7a, #1-2 (Plagal Cadences, Given Bass)
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Assn. 6.5, #1 (Locating/Bracketing Subdominant)
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Assn. 6.2, #1-3 (Spelling Subdominant Triads, Minor Keys)
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Assn. 6.1, #1-3 (Spelling Subdominant Triads, Major Keys)
Assn. 5.9, #1 (Melody Harmonization, Tonic & Dominant)
Assn. 5.8, #1 (Extended Exercises, Tonic & Dominant)
Assn. 5.5, #1 & #6 (Writing Authentic Cadences, Sop. Given)
16 views
Assn. 5.4, #1-4 (Writing Authentic Cadences)
Assn. 5.2, #1-3, 6 (Voicing Repeating Triads)
Assn. 5.1, #1-3 (Open/Closed Position Voicing)
29 views
Voicing Triads: Range, Doubling, Triad Position
82 views
Implied Harmony of a Melody (Tonic & Dominant)
42 views
Assn. 4.7, #1 (Implied Harmony, Cadences in a Melody)
Assn. 4.6, #1-2 (More Authentic Cadences)
Assn. 4.5, #1 (Authentic Cadence In Minor)
74 views
Assn. 4.3, #1-2 (Authentic Cadence)
